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The Rose Field: a ‘nail-biting’ end to The Book of Dust series
The Week Recommends Philip Pullman’s superb new novel brings the trilogy to a ‘fitting’ conclusion
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Nigerian Modernism: an ‘entrancing, enlightening exhibition’
The Week Recommends Tate Modern’s ‘revelatory’ show includes 250 works examining Nigerian art pre- and post independence
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To the point: the gender divide over exclamation marks
Talking Point ‘Men harbouring urges to be more exclamative’ can finally take a breath – this is what using the punctuation really conveys
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Macbeth: a ‘genuinely scary’ production
The Week Recommends Daniel Raggett’s nightmarish modern-day staging is set in a boozer in gangland Glasgow
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The Mastermind: Josh O’Connor stars in unconventional art heist movie
The Week Recommends Kelly Reichardt cements her status as the ‘queen of slow cinema’ with her latest film
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The 8 best dark comedies of the 21st century
From Santa Claus to suicide terrorism, these movies skewered big, taboo subjects
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Critics’ choice: Watering holes for gourmands
Feature An endless selection of Mexican spirits, a Dublin-inspired bar, and an upscale Baltimore pub
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Film reviews: Springsteen: Deliver Me From Nowhere, If I Had Legs I’d Kick You, Frankenstein, and Blue Moon
Feature A rock star on the rise turns inward, a stressed mother begins to unravel, and more
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Beth Macy’s 6 favorite books about living in a divided nation
Feature The journalist recommends works by Nicholas Buccola, Matthew Desmond, and more
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Are boomers the real phone addicts?
In The Spotlight There’s an ‘explosion in screentime’ among older people – and they’re more vulnerable to misinformation
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West End Girl: a ‘tremendously touching’ break-up album
The Week Recommends Lily Allen’s unfiltered new work is ‘littered with relatable moments’
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What you need to know about last-minute travel
The Week Recommends You can book an awesome trip with a moment’s notice
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Book review: ‘Joyride: A Memoir’
Feature A journalist’s story of how she chased and accomplished her dreams
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Art Review: Downtown/Uptown: New York in the Eighties
Feature Lévy Gorvy Dayan, New York City, through Dec. 13
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