Should Edinburgh Fringe have cancelled Jerry Sadowitz?
Controversial comedian’s show pulled from world’s largest arts festival over ‘not acceptable’ material
The world’s largest arts festival is at the centre of a row about free speech and censorship after a show by comedian Jerry Sadowitz was cancelled.
The US-born Scottish comic and magician performed the first night of his Not For Anyone show at the Edinburgh Fringe on Friday night. A warning had been issued by the venue, the Pleasance theatre, before the performance that the content included “strong language and themes some may find distressing”.
But after what The Guardian described as an “unprecedented” number of complaints, the second night was pulled by promoters, who described Sadowitz’s material as “extreme in its racism, sexism, homophobia and misogyny”.
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
Why was the show cancelled?
According to The Guardian, “about 30-40 people walked out of the Friday night show”, the first of two planned performances.
The BBC reported that bosses at the Pleasance, at the Edinburgh International Conference Centre, “declined to give detail about what aspects of Sadowitz’s material led to the cancellation”.
An audience member told The Scottish Sun that Sadowitz used racist language to describe Tory leadership contender Rishi Sunak and “said the economy was awful because it is run by ‘blacks and women’”.
The comedian also “got his penis out to a woman in the front row”, said the unnamed audience member.
In a statement announcing the show had been cancelled “with immediate effect”, the Pleasance Theatre Trust said that Sadowitz had crossed a line and that controversial comedians “need to be challenged” in a “changing world”.
Director Anthony Alderson said that the Pleasance “is a venue that champions freedom of speech and we do not censor comedians’ material”. But “while we acknowledge that Jerry Sadowitz has often been controversial, the material presented at his first show is not acceptable and does not align with our values”, he added.
What has the response been?
In a statement released on Twitter, Sadowitz defended his decision to expose himself on stage and said his act was being “cheapened and simplified as unsafe, homophobic, misogynistic and racist”.
And many sympathetic to the comedian took to social media to ask “why someone went to a controversial show knowing that they might be offended and [to point out] that nudity is not uncommon in shows at the Fringe”, Indy 100 reported.
Sadowitz has long been known for his “deeply provocative brand of comedy”, said The Jewish Chronicle. A 1987 recording of his Edinburgh Fringe show was removed from sale due to fears Jimmy Savile would sue over accusations the presenter was a paedophile, while in 1991 he was knocked unconscious at a show in Montreal after making insulting remarks about Canadians.
The cancellation of a show at the world’s largest arts festival has “led to concerns being expressed by fellow comedians,” reported The Guardian.
Richard Herring described it as “a very worrying development”, while feminist campaigner Lucy Hunter Blackburn told the Scottish Daily Express: “I first came to the Fringe in 1986. The cancelling of Jerry Sadowitz (who I’ve never seen – not my bag, I strongly assume I’d not enjoy his material) feels like an important moment – something to stop and look at hard.” Comedian Simon Evans went further telling Sadowitz: “If you can identify the line that got you cancelled then I for one am willing to nick it. And I think every other comic should too. This is our Spartacus moment.”
The Daily Mail reported that TV presenter Piers Morgan and Harry Potter author J.K. Rowling, both outspoken critics of cancel culture, were among comedians, authors and journalists who have criticised the decision to cancel the show, especially coming just a day after author Salman Rushdie was stabbed on stage in the US.
Sign up for Today's Best Articles in your inbox
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
Is The Office Australia a reboot too far?
Talking Point The latest version of Ricky Gervais and Stephen Merchant's mockumentary feels like 'a bad case of déjà vu'
By The Week UK Published
-
Can the revamped Victoria's Secret Fashion Show survive?
Talking Point The controversial event has returned to New York City following a six-year hiatus
By Irenie Forshaw, The Week UK Published
-
Why has Joker: Folie à Deux divided critics?
Talking Point The sequel to Joker is 'staggeringly inept' in its attempts to explore mental health issues – but Lady Gaga is 'magnetic'
By The Week UK Published
-
Monsters: why is the Menendez brothers Netflix hit so controversial?
Talking Points Ryan Murphy’s latest true-crime series recounts infamous 1989 Beverly Hills murders, but some critics say his retelling takes too many liberties with the truth
By Irenie Forshaw, The Week UK Published
-
From 'Teenage Dream' to millennial nightmare – where did it go wrong for Katy Perry?
Talking Points Brutal reviews for new album represent a serious setback in the pop star's attempted return
By Chas Newkey-Burden, The Week UK Published
-
'Wuthering Heights' and the Robbie-Elordi casting row
Talking Point The casting of Barbie and Elvis is 'fundamentally, egregiously wrong' in Emerald Fennell's new film
By The Week UK Published
-
Turner Prize 2024: has the art world's infamous award lost its power?
Talking Point As the award returns for its 40th anniversary, critics call for a revamp of 'sorry embarrassment of a prize'
By Irenie Forshaw, The Week UK Published
-
Lee: Kate Winslet biopic lacks 'nuance that made Miller exceptional'
Talking Point Winslet fought to get the film made, but critics are divided on whether it lives up to expectations
By The Week UK Published