Hotel The Noblemen, Amsterdam review: innovative design meets old world charm

A boutique canal house that turns Dutch history into a luxury experience

The Rembrandt van Rijn signature room at Hotel The Noblemen in Amsterdam
The Rembrandt van Rijn signature room
(Image credit: Hotel The Noblemen)

Opened in 2021, Hotel The Noblemen takes its name to heart and has an interior that demonstrates serious artistic flair. It’s all down to the opulent and stylistically unabashed vision of Dutch designer Stef van der Bijl, who has a reputation for restoring and repurposing antique and industrial objects to suit a luxury environment.

Each of the 13 rooms that make up this 17th century boutique Amsterdam canal house, which overlooks the Leidsegracht, is dedicated to a different seminal character from the Dutch Golden Age. Ornate, elaborate and fabulously imaginative, each room is a super luxurious cabinet of curiosities, equipped with a giant and exquisitely handcrafted leather-bound four poster bed, constructed on site due to the narrow dimensions of the staircase. There’s no lift here, but this only adds to the authenticity of the stay – the house’s first owner was a marble merchant called Isaac Foucquier, so every squeak and creak is a reminder of the rich ancestry that permeates every corner of this historic building. In fact, part of the ground floor space is still clad in Foucquier’s original marble slabs.

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Alexandra Zagalsky is a London-based journalist specialising in luxury, art and travel. She began her career working on a cultural guide for English-speaking expats in Paris, where her first major break was an interview with Lionel Poilâne, the late baker of Saint-Germain-des-Prés famed for his signature sourdough loaves. Returning to London in her early 20s, she went on to write for not only The Week but also The Art Newspaper’s Art of Luxury supplement, The Telegraph and The Times, as well as art and design platforms including 1stDibs’ Introspective Magazine and the magazines of the V&A, Sotheby’s and Christie’s. She studied fine art and art history at Goldsmiths, University of London and continues to explore travel journalism through the lens of art, craftsmanship and culture.