Impressionists on Paper: Degas to Toulouse-Lautrec review
The quality on show at the Royal Academy is 'mixed' but the best works are real 'pearls'
"Impressionism – at the Royal Academy? Again?" That was my first thought on hearing about this latest show, said Alastair Sooke in The Daily Telegraph: I feared that its "overfamiliarity" would risk inducing "narcolepsy". But I was wrong. "Impressionists on Paper" puts forward a "neat, clear argument": that in the late 19th century, technical advances allowed good quality paper and paints to be manufactured in quantity. This considerably improved the status of works on paper, hitherto rarely appreciated as anything other than "preparatory" drawings. From here on in, "they came to be viewed on a par, almost, with paintings" – and Paris's artists exploited this to the full. Bringing together pictures by all of the movement's most famous names – the show is subtitled "Degas to Toulouse-Lautrec" – as well as works from lesser-known talents, it shows how the impressionists and those who came in their wake took drawing in new directions, transforming the medium. Containing wonders aplenty, from Manet's "rain-slickened" view of a Parisian street to Odilon Redon's view of "human-headed flowers sprouting surreally from a vase", it adds up to an impressive exhibition "filled with delicious little surprises".
There are a couple of "masterpieces" here, said Jonathan Jones in The Guardian. Van Gogh provides several, including a landscape of Paris's peripheral fortifications, in which he deploys watercolours to turn the sky "a heartbreaking blue"; and an early depiction of a "peasant women with a face like a bereft elf". Just as impressive is Toulouse-Lautrec's "explicit" sketch of a lesbian couple working in a Paris brothel – a "raw yet sensitive" picture that brims with empathy for his subjects. Such highlights aside, the show is short on revelations: Renoir's drawings of women, it turns out, "are just as bland as his paintings"; and even a pair of "dreamlike" Monet views of "surreally shaped seaside cliffs" tell us nothing new about his art. The impressionists "did comparatively little important work on paper. They really were painters or nothing." And this is largely a rather "damp" show.
True, the quality is "mixed", said Jackie Wullschläger in the Financial Times. Yet the best of the works here, by Degas and Cézanne – the period's "supreme innovators" – are real "pearls". The former, represented by 15 drawings, "stuns and dominates": in his "stark" 1869 pastel "Beach at Low Tide", "you can almost feel the damp sand"; the later "After the Bath, Woman Drying Herself" is "a tumble of red hair", "creamy pink towel", and "brilliant yellow chair". Cézanne, meanwhile, creates watercolours that abbreviate and reduce their subject to "translucent washes, white paper left blank as part of the composition". Overall, this is an "enjoyable" exhibition, in which 19th century Paris "comes to us multi-faceted, direct and intimate".
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
Royal Academy, London W1 (020-7300 8090, royalacademy.org.uk). Until 10 March 2024
Sign up to The Week's Arts & Life newsletter for reviews and recommendations.
Sign up for Today's Best Articles in your inbox
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
What Mike Huckabee means for US-Israel relations
In the Spotlight Some observers are worried that the conservative evangelical minister could be a destabilizing influence on an already volatile region
By Rafi Schwartz, The Week US Published
-
Airplane food is reportedly getting much worse
Under the radar Cockroaches and E. coli are among the recent problems encountered in the skies
By Justin Klawans, The Week US Published
-
Crossword: November 19, 2024
The Week's daily crossword
By The Week Staff Published
-
Drawing the Italian Renaissance: a 'relentlessly impressive' exhibition
The Week Recommends Show at the King's Gallery features an 'enormous cache' of works by the likes of Leonardo, Michelangelo and Raphael
By The Week UK Published
-
Niall Williams shares his favourite books
The Week Recommends The Irish novelist chooses works by Charles Dickens, Seamus Heaney and Wendell Berry
By The Week UK Published
-
Patriot: Alexei Navalny's memoir is as 'compelling as it is painful'
The Week Recommends The anti-corruption campaigner's harrowing book was published posthumously after his death in a remote Arctic prison
By The Week UK Published
-
The Curious Case of Benjamin Button: a 'magical' show with 'an electrifying emotional charge'
The Week Recommends The 'vivacious' Fitzgerald adaptation has a 'shimmering, soaring' score
By The Week UK Published
-
Bird: Andrea Arnold's 'strange, beguiling and quietly moving' drama
The Week Recommends Barry Keoghan stars in 'fearless' film combining social and magical realism
By The Week UK Published
-
Kate Summerscale's 6 favorite true crime books about real murder cases
Feature The best-selling author recommends works by Helen Garner, Gwen Adshead, and more
By The Week US Published
-
6 elegant homes in the Mediterranean style
Feature Featuring an award-winning mansion in Colorado and an Alhambra palace-inspired home in Washington
By The Week Staff Last updated
-
Chappell Roan is pushing boundaries by setting them
In the Spotlight She's calling out fans and the media for invasive behavior
By Anya Jaremko-Greenwold, The Week US Published