Television writers are having a hard time topping the drama of real-life Washington, D.C.

A Netflix employee promotes a character from House of Cards outside a polling station.
(Image credit: MICHAEL OWEN BAKER/AFP/Getty Images)

As a sharp American social critic once said, "truth is stranger than fiction." Television writers are learning that the hard way, though, as the real-life drama in Washington, D.C., dominates — and entertains — the nation. "I'm very jealous," Veep showrunner David Mandel jokingly confessed to The Associated Press. "We work very hard on our scripts. They seem to be better at the job than I am."

"We are in extremely unusual times," agreed Homeland executive producer Alex Gansa, “and sometimes it feels like nothing we dramatize on Homeland can be nearly as scary as what's actually happening on the world stage."

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Jeva Lange

Jeva Lange was the executive editor at TheWeek.com. She formerly served as The Week's deputy editor and culture critic. She is also a contributor to Screen Slate, and her writing has appeared in The New York Daily News, The Awl, Vice, and Gothamist, among other publications. Jeva lives in New York City. Follow her on Twitter.