Carousel – reviews of ‘exciting' musical reboot at the Arcola
Superlative revival of Rodgers and Hammerstein classic offers five-star fun in a small venue
What you need to know
A revival of the classic American musical Carousel has opened at the Arcola theatre, London. Luke Fredericks directs the 1943 musical with music by Richard Rodgers and lyrics by Oscar Hammerstein.
This production shifts the story from its original 1870s setting to the 1930s and 40s as it follows the life of mill worker Julie Jordan, who falls for a brutish but charismatic outsider Billy Bigelow. When Billy loses his job at a fairground and turns to crime, destiny seems to take control of their lives.
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
The show includes the hit songs June Is Bustin' Out All Over and You'll Never Walk Alone. Runs until 19 July.
What the critics like
This musical revival is "spirited, funny and achingly sad", says Jane Shilling in the Daily Telegraph. It's an emotional wringer of a show that finds every nuance of tenderness and danger in a classic, and expresses them as though for the very first time.
This "superlative reboot of the Rodgers and Hammerstein classic is full of five-star fun", says Fiona Mountford in the Evening Standard. With mellifluous singing and three outstanding leads, Carousel has never seemed so fresh, poignant and vital, but on a scale that is profoundly human.
This reimagining of a classic at east London's intimate Arcola, proves that, with creative thinking, "small venues can pack a mighty punch", says Marianka Swain on the Arts Desk. It's an exciting experiment, from the joyful wit of the rousing ensemble numbers to moments of well-earned pathos, showing that space is no impediment to satisfying musical theatre.
What they don't like
The production "may be beautifully sung and nicely choreographed, but its attempt to relocate the story to the second world war can't iron out the flaws in the musical," says Lyn Gardner in The Guardian. Oscar Hammerstein's book, with its prehistoric attitudes to domestic and sexual violence, works against all best intentions to reimagine it.
Sign up for Today's Best Articles in your inbox
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
Why more and more adults are reaching for soft toys
Under The Radar Does the popularity of the Squishmallow show Gen Z are 'scared to grow up'?
By Chas Newkey-Burden, The Week UK Published
-
Magazine solutions - December 27, 2024 / January 3, 2025
Puzzles and Quizzes Issue - December 27, 2024 / January 3, 2025
By The Week US Published
-
Magazine printables - December 27, 2024 / January 3, 2025
Puzzles and Quizzes Issue - December 27, 2024 / January 3, 2025
By The Week US Published
-
The Count of Monte Cristo review: 'indecently spectacular' adaptation
The Week Recommends Dumas's classic 19th-century novel is once again given new life in this 'fast-moving' film
By The Week UK Published
-
Death of England: Closing Time review – 'bold, brash reflection on racism'
The Week Recommends The final part of this trilogy deftly explores rising political tensions across the country
By The Week UK Published
-
Sing Sing review: prison drama bursts with 'charm, energy and optimism'
The Week Recommends Colman Domingo plays a real-life prisoner in a performance likely to be an Oscars shoo-in
By The Week UK Published
-
Kaos review: comic retelling of Greek mythology starring Jeff Goldblum
The Week Recommends The new series captures audiences as it 'never takes itself too seriously'
By The Week UK Published
-
Blink Twice review: a 'stylish and savage' black comedy thriller
The Week Recommends Channing Tatum and Naomi Ackie stun in this film on the hedonistic rich directed by Zoë Kravitz
By The Week UK Published
-
Shifters review: 'beautiful' new romantic comedy offers 'bittersweet tenderness'
The Week Recommends The 'inventive, emotionally astute writing' leaves audiences gripped throughout
By The Week UK Published
-
How to do F1: British Grand Prix 2025
The Week Recommends One of the biggest events of the motorsports calendar is back and better than ever
By Rebekah Evans, The Week UK Published
-
Twisters review: 'warm-blooded' film explores dangerous weather
The Week Recommends The film, focusing on 'tornado wranglers', stars Daisy Edgar-Jones and Glen Powell
By The Week UK Published