Hot ticket: James Acaster's tricksy comedy Recognise
Critics tip Acaster's 'superbly controlled' new show for the Edinburgh Comedy Award
What you need to know
Since his Edinburgh Fringe Festival debut in 2011, James Acaster has steadily been building a name for himself as a top flight comic, picking up two Comedy Award nominations in three years and impressing critics with his impeccably crafted stand-up shows.
This year he returns to the festival with a startling admission: that he is not in fact a comedian at all, but an undercover cop who has been sent to infiltrate the industry and bust up a ring of drug dealers who supply Class-As to stand-up performers. Until 24 August at the Pleasance Theatre.
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
What the critics like
Is Acaster "a cop pretending to be a comic, or a comic pretending to be a cop pretending to be a comic," asks The Guardian's Brian Logan. "Such are the pleasing twists in the questions raised by this new hour-long show".
Acaster "has the 'now listen up' air of someone who thinks he has important stuff to teach us," he adds. "The joke – which he would never admit – is that the content of his lessons is absurdly petty."
"Part stoner student, part wannabe QI panellist," Acaster is a complicated and nebulous character, says The Independent's Hugh Montgomery. He is a comedian "who eschews big issues for absurd disquisitions on the tiniest points of modern life".
Those discussions include a "standout" opening sequence ruminating on loopholes, a dialogue in how to extract oneself from a conga line, and a seminar on how to schmooze effectively.
Critics are united in their praise for Acaster's structure: "In all my gig-going days I don't think I've seen a stand-up show as immaculately crafted as James Acaster's Recognise," says the Evening Standard's Bruce Dessau.
What they don't like
Since he burst onto the scene three years ago, Acaster has been routinely tipped to win the Edinburgh Comedy Award. So is 2014 his year? Dessau thinks the comedian "may be just a little over-mannered" and his show, Recognise, a tad "too quirky" to take the top prize.
If he is a cop, though, Logan concludes, "this is the best undercover operation since Serpico".
Sign up for Today's Best Articles in your inbox
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
Parker Palm Springs review: decadence in the California desert
The Week Recommends This over-the-top hotel is a mid-century modern gem
By Catherine Garcia, The Week US Published
-
The real story behind the Stanford Prison Experiment
The Explainer 'Everything you think you know is wrong' about Philip Zimbardo's infamous prison simulation
By Tess Foley-Cox Published
-
Is it safe for refugees to return to Syria?
Talking Point European countries rapidly froze asylum claims after Assad's fall but Syrian refugees may have reason not to rush home
By Richard Windsor, The Week UK Published
-
The Count of Monte Cristo review: 'indecently spectacular' adaptation
The Week Recommends Dumas's classic 19th-century novel is once again given new life in this 'fast-moving' film
By The Week UK Published
-
Death of England: Closing Time review – 'bold, brash reflection on racism'
The Week Recommends The final part of this trilogy deftly explores rising political tensions across the country
By The Week UK Published
-
Sing Sing review: prison drama bursts with 'charm, energy and optimism'
The Week Recommends Colman Domingo plays a real-life prisoner in a performance likely to be an Oscars shoo-in
By The Week UK Published
-
Kaos review: comic retelling of Greek mythology starring Jeff Goldblum
The Week Recommends The new series captures audiences as it 'never takes itself too seriously'
By The Week UK Published
-
Blink Twice review: a 'stylish and savage' black comedy thriller
The Week Recommends Channing Tatum and Naomi Ackie stun in this film on the hedonistic rich directed by Zoë Kravitz
By The Week UK Published
-
Shifters review: 'beautiful' new romantic comedy offers 'bittersweet tenderness'
The Week Recommends The 'inventive, emotionally astute writing' leaves audiences gripped throughout
By The Week UK Published
-
Edinburgh Fringe Festival hits soon heading elsewhere
The Week Recommends The Week's round-up of where Fringe successes are touring next
By The Week UK Published
-
How to do F1: British Grand Prix 2025
The Week Recommends One of the biggest events of the motorsports calendar is back and better than ever
By Rebekah Evans, The Week UK Published