The Woman in the Wall review: BBC drama about the Magdalene laundries

Ruth Wilson gives an extraordinary performance but the series is ‘hysterically overcooked’

Ruth Wilson in The Woman in the Wall
Ruth Wilson in The Woman in the Wall
(Image credit: Chris Barr/BBC)

“The Woman in the Wall’s title did not seduce me,” said Carol Midgley in The Times: plonking the words “woman” or “girl” in the title of novels and adaptations became fashionable some while ago (“The Girl on the Train”, “The Woman in the Window”, etc.), and it now grates. Yet the drama turned out to be one of the finest I’ve seen this year. “Easily.”

Ruth Wilson is perfectly cast as Lorna, a “pitiful, vulnerable” woman from a fictional town on the west coast of Ireland who was robbed of her baby in one of the country’s notorious Magdalene laundries. Wilson gives an extraordinary, “physical performance”; and she is well supported by a cast that includes Hilda Fay as another victim of the laundries, and Philippa Dunne as a campaigner fighting for justice. “My only reservation with tragic subject matter such as this is that it might be so good, it’s unbearable.”

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