Roketsu, London: the rarefied Japanese art of kaiseki
Regarded as the highest form of Japanese cuisine, kaiseki fuses artistry and seasonality
Japan has form when it comes to exporting its cuisine. Sushi seemed impossibly exotic before it ended up in every supermarket fridge, spurring enthusiasts to seek out increasingly elevated – and expensive – experiences. Raw aged fish, for example, or elaborate omakase menus. Now Roketsu has a new treat for Japanophiles: London’s first authentic kaiseki restaurant
What is kaiseki?
“Considered the highest form of Japanese cuisine,” said the Financial Times, kaiseki is “a formal meal consisting of a dozen or so meticulously prepared dishes served in a prescribed order”. Its origins lie in the ceremonial meals served to Buddhist monks, and it retains a monastic sense of discipline. In the (slightly) less formal omakase tradition, “the upcoming courses can be adjusted to suit the diner depending on their reaction to the food”, said the Michelin Guide, but “kaiseki is a prescribed set of courses that is dependent on the seasonal produce”. The turning of the earth takes precedence over the whims of the chef.
Kaiseki restaurants
“Designed to create lasting memories, the experience of the meal goes beyond the edible,” said CNN. “Traditionally served at a tatami-matted ryokan” or inn, the meal was eaten in a room that was simple and free from distraction. That custom survives: today’s kaiseki restaurants are a study in uncomplicated elegance, “characterised by a calm atmosphere featuring subdued lighting and elegant tableware”, said Savor Japan. But while the setting may be understated, the food has become increasingly elaborate. In Japan, such meals are “reserved for special occasions including seasonal festivals, birthdays and anniversaries”, said Time Out.
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
Kaiseki at Roketsu
Until now, Londoners have been granted only a westernised taste of kaiseki, according to Daisuke Hayashi, Roketsu’s owner and chef. He speaks from experience: he worked at Sake No Hana and Chrysan, both of which offered menus inspired by the kaiseki tradition alongside other Japanese cuisines. Roketsu, by contrast, has dedicated itself to kaiseki and nothing but kaiseki.
The obsession with authenticity extends to the interiors, which were crafted in Kyoto from 100-year-old hinoki, a Japanese species of cypress, and shipped to London. In front of the timber counter, at which Hayashi prepares each day’s courses, are just ten place settings. Reservations may be hard to come by.
The menu changes frequently, but in early April it began with white asparagus, that most seasonal of ingredients. Pureed, seasoned with little shreds of crisped wagyu and served cool, in a small glass bowl, it honoured kaiseki’s roots in purity and simplicity. What came next was the hassun course, a representation of the bounty of the season, expressed in the artistry of the plating as much as the cooking. Little morsels of lobster, prawn, avocado, duck, sea bream and tulip-shaped cross-sections or squid were arranged on a silvered plate, decorated with the cherry blossom flowers that define the Japanese spring (below). There was more lobster later on, its flesh extracted from the shell and deep fried in a light batter, which brought a satisfyingly sacrilegious hint of fish and chips to proceedings. Pairing it with a few plump peas suggested this was no accident.
With courses of grilled fish, sashimi, wagyu and sticky rice with scallops, this is by no means an exercise in monastic restraint. The sense of ritual does, however, provide a useful alibi. Diners are allowed to leave Roketsu feeling they have enjoyed not only an excellent meal, but a cultural enlightenment too.
Kaiseki at Roketsu, 12 New Quebec Street, W1: £190 per person
Sign up for Today's Best Articles in your inbox
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
Holden Frith is The Week’s digital director. He also makes regular appearances on “The Week Unwrapped”, speaking about subjects as diverse as vaccine development and bionic bomb-sniffing locusts. He joined The Week in 2013, spending five years editing the magazine’s website. Before that, he was deputy digital editor at The Sunday Times. He has also been TheTimes.co.uk’s technology editor and the launch editor of Wired magazine’s UK website. Holden has worked in journalism for nearly two decades, having started his professional career while completing an English literature degree at Cambridge University. He followed that with a master’s degree in journalism from Northwestern University in Chicago. A keen photographer, he also writes travel features whenever he gets the chance.
-
Why more and more adults are reaching for soft toys
Under The Radar Does the popularity of the Squishmallow show Gen Z are 'scared to grow up'?
By Chas Newkey-Burden, The Week UK Published
-
Magazine solutions - December 27, 2024 / January 3, 2025
Puzzles and Quizzes Issue - December 27, 2024 / January 3, 2025
By The Week US Published
-
Magazine printables - December 27, 2024 / January 3, 2025
Puzzles and Quizzes Issue - December 27, 2024 / January 3, 2025
By The Week US Published
-
How London fell back in love with the brasserie
The Blend From Brasserie Zédel to Café François, we sample the best bistros in town
By Charlie Teasdale Published
-
The Count of Monte Cristo review: 'indecently spectacular' adaptation
The Week Recommends Dumas's classic 19th-century novel is once again given new life in this 'fast-moving' film
By The Week UK Published
-
Death of England: Closing Time review – 'bold, brash reflection on racism'
The Week Recommends The final part of this trilogy deftly explores rising political tensions across the country
By The Week UK Published
-
Sing Sing review: prison drama bursts with 'charm, energy and optimism'
The Week Recommends Colman Domingo plays a real-life prisoner in a performance likely to be an Oscars shoo-in
By The Week UK Published
-
Kaos review: comic retelling of Greek mythology starring Jeff Goldblum
The Week Recommends The new series captures audiences as it 'never takes itself too seriously'
By The Week UK Published
-
Blink Twice review: a 'stylish and savage' black comedy thriller
The Week Recommends Channing Tatum and Naomi Ackie stun in this film on the hedonistic rich directed by Zoë Kravitz
By The Week UK Published
-
Shifters review: 'beautiful' new romantic comedy offers 'bittersweet tenderness'
The Week Recommends The 'inventive, emotionally astute writing' leaves audiences gripped throughout
By The Week UK Published
-
How to do F1: British Grand Prix 2025
The Week Recommends One of the biggest events of the motorsports calendar is back and better than ever
By Rebekah Evans, The Week UK Published