If the “gossip in publishing circles” has any merit, novelist Rachel Cusk has turned her eye to Natalie Portman for her latest book, said Leaf Arbuthnot in The Telegraph. The actor isn’t named in “Life of M”. But the similarities between the character “M” and Portman are “so glaring they become hard to ignore” – and the portrayal is far from complimentary.
An unflattering portrait
“Life of M”, which is published next month, is about a film star who allows an unnamed writer to chronicle her life. There are “certainly points of correspondence” between Portman and M in the novel, said John Self in The Times. M “played a ballerina” in a movie and is a “model for a major brand”; Portman starred in “Black Swan” and her face is splashed across billboards as the long-time ambassador for Miss Dior.
Cusk’s character was also a child actor whose first film included sexual scenes that “originally included several scenes in which the child was shown wanting or inviting sexual interaction with the central male character”. Portman’s debut in “Leon” in 1994 saw her mother step in to insist scenes with her daughter and an older co-star were removed from the film.
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Cusk has remained “tight-lipped” on the rumours. It’s “handy” to generate a buzz ahead of publication and the novelist has never been shy about putting “whoever she likes into her books”. Her divorce memoir “Aftermath” explored the breakdown of her marriage to her ex-husband in vivid detail, while her “bracingly honest” book about parenting, “A Life’s Work”, was widely criticised for her unflinching portrayal of motherhood. “It has reached the stage, in fact, where an effective modern curse might be ‘May you appear in a Rachel Cusk book’”.
Portman and Cusk both live in Paris, and move in similar circles. The actor is (or was) a fan of Cusk and even interviewed the writer, picking two of her novels to discuss in her Instagram book club. But “no one in her right mind who understood Rachel Cusk’s work would allow her to write about her”, said Valerie Stivers on UnHerd. Cusk excels at “reducing the human to the mathematical product of cold existential forces” – appearing in one of her books is “never going to be flattering”.
“As literary assassinations go, Cusk’s of M is sly and subtle, but it is lethal nonetheless,” said Arbuthnot in The Telegraph. Cusk stresses M is pretty, “humble” and “gracious”, but the “unsettling argument” she carefully builds is that “M is engaged in a constant effort to seem like a believable person”. What is “cruel” about the character is the “impregnable fort of isolation she believes the actress lives within”.
A ‘delicate balancing act’
Cusk is just the latest in a “long line of writers” to cause upset by basing their characters on real people, said Self in The Times. Philip Roth was a “master” at it, first casting a “thinly disguised avatar of his wife”, Claire Bloom, in his 1990 novel “Deception”, before he “twisted the knife”, with another caricature of Bloom, this time as a self-loathing antisemitic Jewish actor in “I Married a Communist”. And Nora Ephron famously wrote about her divorce from the journalist Carl Bernstein in her novel, “Heartburn”, which features a food writer who is seven months pregnant when she discovers her husband’s affair.
Non-writers assume we novelists insert real-life people into our books out of “spite”, said Amanda Craig in The i Paper, but a novel is “what it says on the tin – a work with made-up characters and situations”. My “long-ago ex-boyfriend”, the literary critic David Sexton, thought he had been “unflatteringly depicted” in my novel “A Vicious Circle” and “threatened to sue”. I might use a line of dialogue I’ve heard “uttered by a real-life person” but most writers I know “go through agonies” to make their characters who might “have their roots in reality as remote as possible from the original”.
Creating characters inspired by real people is a “delicate balancing act”, said Marshall Fine on BookTrib. Novelists run the risk of “being accused of writing a roman à clef, in which only the names have been changed to protect the guilty”. The “trick” is to find ways of using real people in creative ways to “inspire characters who are products of your imagination”.
While there is no legal requirement to seek permission from the real person who inspires a work of fiction, the Writers’ Guild of Great Britain advises that it is “good practice” to inform subjects of creative writing projects in advance, to get their “blessing” to reduce the risk of future legal action, and to remove any “identifying information”.
For now, Cusk hasn’t addressed the rumours about “Life of M”, and unless the actor speaks out to “correct the record, the truth will never be known – nor can it really matter”, said Stivers on UnHerd. “If the result of the two women’s friendship is a very strong Cusk book indeed, everyone should be happy – including, if her art-appreciation is real, Natalie Portman.”
