“Here we are again,” said John Nugent in Empire. Since 2010, Disney has produced more than 20 remakes “adapting old, animated material into shiny live-action form” – more than one a year. But few have used source material so recent – “or seemed so pointless” – as “Moana”.
‘Shot-for-shot remake’
It is practically a “shot-for-shot remake” of the 2016 animation, which was a “high point” for Disney. Once again, we are in ancient Polynesia, as Moana, a spirited chief’s daughter, goes on an oceanic quest to save her dying island of Motunui, enlisting the help of the narcissistic demi-god Maui.
But whereas the animated version was “fun, funny” and had “fantastic music”, this feels “flat”. It barely counts as live-action, either: a good two-thirds or so is animated, with the CGI often retaining a “cartoon aesthetic”, in a way that feels “awkward” and jarring next to flesh-and-blood actors. At one point, a character marvels at a “sacred place” surrounding them, while pointing to what is plainly a green-screen studio.
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“You will wonder why they bothered to make a replica,” said Brian Viner in the Daily Mail, “except insofar that you won’t wonder at all.” Disney can “hardly be bothered to conceal the fact that their overwhelming priority is to generate dollars”.
There are, though, “flickers of warmth”. Catherine Laga’aia is “engaging” as Moana, and creates “a lively chemistry” with Dwayne Johnson, reprising the role of Maui.
Johnson’s performance is “oddly lacklustre”, said Kevin Maher in The Times, and his wig is ridiculous – he looks like a “demented extra from ‘Hairspray’”. Lin-Manuel Miranda’s songs remain catchy, but mostly the film provokes only “an exquisite form of agony”.
