Last of Us: Left Behind, zombie apocalypse game prequel
Downloadable prologue to the hit zombie game is another masterful mix of interactive story and brutal action

What you need to know
Critics are calling a new instalment of hit zombie apocalypse video game The Last of Us "masterful" and a "must play for fans". The Last of Us: Left Behind is a downloadable prologue to the critically acclaimed and award winning 2013 game developed by Naughty Dog.
Left Behind fills in the back story of the game's central character, Ellie, by following her early teenage friendship with a girl named Riley. Players follow Ellie as she and Riley explore an abandoned mall in a quarantine zone, track and fight bandits and infected humans and collect supplies.
What the critics like
The game is "another masterful mix of interactive story and brutal action", which still packs an emotional punch, says David Jenkins in Metro. The quality of storytelling is second to none, adding to one of the few video games that has something genuinely profound to say about the human condition.
This is "a thoughtful and meaningful prologue" with a ton of other surprises to boot, says Colin Moriarty on IGN. Left Behind is chock-full of amazing, story-bending, essential moments and a must-play for fans of the original game.
Left Behind is a beautifully crafted addendum to The Last of Us, a game that already stood tall above many of its peers, says Stace Harman on Eurogamer. Its impeccable design takes Ellie and Riley on a trip that is not easily forgotten, underpinned by sparing use of Gustavo Santaolalla's beautiful score.
What they don't like
The original Last of Us was pretty much perfect in terms of what it wanted to achieve, says Simon Miller on Videogamer. This is an enjoyable and intriguing instalment but it "does nothing to build on or take away from that".
-
Quiz of The Week: 4 – 10 October
Quiz Have you been paying attention to The Week’s news?
-
Lee Miller at the Tate: a ‘sexy yet devastating’ show
The Week Recommends The ‘revelatory’ exhibition tells the photographer’s story ‘through her own impeccable eye’
-
The Week Unwrapped: Who had the last laugh in Riyadh?
Podcast Plus are imported eggs undermining animal welfare? And what can we do about AI deepfakes?
-
Friendship: 'bromance' comedy starring Paul Rudd and Tim Robinson
The Week Recommends 'Lampooning and embracing' middle-aged male loneliness, this film is 'enjoyable and funny'
-
The Count of Monte Cristo review: 'indecently spectacular' adaptation
The Week Recommends Dumas's classic 19th-century novel is once again given new life in this 'fast-moving' film
-
Death of England: Closing Time review – 'bold, brash reflection on racism'
The Week Recommends The final part of this trilogy deftly explores rising political tensions across the country
-
Sing Sing review: prison drama bursts with 'charm, energy and optimism'
The Week Recommends Colman Domingo plays a real-life prisoner in a performance likely to be an Oscars shoo-in
-
Kaos review: comic retelling of Greek mythology starring Jeff Goldblum
The Week Recommends The new series captures audiences as it 'never takes itself too seriously'
-
Blink Twice review: a 'stylish and savage' black comedy thriller
The Week Recommends Channing Tatum and Naomi Ackie stun in this film on the hedonistic rich directed by Zoë Kravitz
-
Shifters review: 'beautiful' new romantic comedy offers 'bittersweet tenderness'
The Week Recommends The 'inventive, emotionally astute writing' leaves audiences gripped throughout
-
How to do F1: British Grand Prix 2025
The Week Recommends One of the biggest events of the motorsports calendar is back and better than ever