Jungle Book 'beggars belief' that it was shot in a studio
Critics praise dazzling special effects in 'one of most engrossing film worlds since Avatar'
Disney's new blockbuster adaptation of The Jungle Book, which updates Rudyard Kipling's children's classic using the latest CGI wizardry, has bowled over the critics.
Directed by Iron Man's Jon Favreau, the film uses live action and computer graphics to update Disney's 1967 animated film version, which tells the story of Mowgli, who is raised in the jungle by wolves.
Newcomer Neel Sethi takes the leading role, with the likes of Ben Kingsley, Bill Murray, Scarlett Johansson and Christopher Walken voicing the various jungle animals.
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
Critics have called The Jungle Book "immersive" and "exceptionally beautiful" - and it has even received praise from an animal welfare organisation for its "stunning cruelty free CGI" creatures.
The "beguilingly credible" computer rendering of real-life animals takes its biggest leap forward since Life of Pi, says Todd McCarthy in the Hollywood Reporter. This umpteenth film rendition of the story proves entirely engaging, "exceptionally beautiful to behold and bolstered by a stellar vocal cast", he says.
One of the most startling things about the film is that it was shot in downtown Los Angeles, says Andrew Barker in Variety. "So immersively does the film's visual-effects team craft every tree, waterfall and flower" of the fantastical subcontinental setting, and so carefully are the talking CGI animals rendered, "it almost beggars belief" that the whole thing was shot in a studio.
"But aside from investing in top-drawer digital craftsmanship, the canniest move Disney made on this film was hiring Favreau," says Barker. The director maintains "the buoyant heartbeat beneath all the digital flash" and never loses sight of the fact he's making an adventure story for children.
No offence to its only human cast member, says Robbie Collin in the Daily Telegraph, but "the real star" is the computer-generated talking tiger.
Shere Khan, voiced "with magnificence" by Idris Elba, is realised in such extraordinarily hair-perfect detail and moves with such persuasive physicality and weight, "he might as well be the real, red-in-tooth-and-claw deal".
Favreau and his team of special-effects wizards plunge us into one of the big screen's most engrossing artificial worlds since Avatar, says Alonso Duralde on The Wrap, not to mention "the most convincing conversational creatures since Babe".
One shortcoming, however, is that this "Book" lacks "the post-vaudeville razzamatazz of its predecessor", he adds. The musical classics from the Disney original, The Bear Necessities and I Wan'na Be Like You, are included, but somewhat haphazardly, says the critic, and the film would have been better served "by either cutting the numbers altogether or by taking a full plunge".
Nevertheless, more praise emerged from an unlikely source – People for the Ethical Treatment of Animals, the animal rights group better known as Peta. It awarded The Jungle Book its Innovation In Film award for "making the compassionate decision to use stunning cruelty-free CGI technology" to create the animal characters.
The Jungle Book is released in UK cinemas on 15 April.
Sign up for Today's Best Articles in your inbox
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
Today's political cartoons - November 2, 2024
Cartoons Saturday's cartoons - anti-fascism, early voter turnout, and more
By The Week US Published
-
Geoff Capes obituary: shot-putter who became the World’s Strongest Man
In the Spotlight The 'mighty figure' was a two-time Commonwealth Champion and world-record holder
By The Week UK Published
-
Israel attacks Iran: a 'limited' retaliation
Talking Point Iran's humiliated leaders must decide how to respond to Netanyahu's measured strike
By The Week UK Published
-
Rivals: the Jilly Cooper 'bonkbuster' TV hit that everyone's talking about
In the spotlight 1980s novel hits the small screen, bringing wet dogs, big hair and lots of 'rumpy pumpy'
By Chas Newkey-Burden, The Week UK Published
-
Agatha All Along reviews: 'knowing and exceptionally well-executed'
The Week Recommends Marvel's delectable witchy spin-off series is a perfect treat for Halloween season
By The Week UK Published
-
The Count of Monte Cristo review: 'indecently spectacular' adaptation
The Week Recommends Dumas's classic 19th-century novel is once again given new life in this 'fast-moving' film
By The Week UK Published
-
TV to watch in September, from 'Agatha All Along' to 'The Penguin'
The Week Recommends A 'WandaVision' spinoff, a DC Comics villain's starring turn and a silly Netflix original
By Anya Jaremko-Greenwold, The Week US Published
-
Death of England: Closing Time review – 'bold, brash reflection on racism'
The Week Recommends The final part of this trilogy deftly explores rising political tensions across the country
By The Week UK Published
-
Sing Sing review: prison drama bursts with 'charm, energy and optimism'
The Week Recommends Colman Domingo plays a real-life prisoner in a performance likely to be an Oscars shoo-in
By The Week UK Published
-
Kaos review: comic retelling of Greek mythology starring Jeff Goldblum
The Week Recommends The new series captures audiences as it 'never takes itself too seriously'
By The Week UK Published
-
Blink Twice review: a 'stylish and savage' black comedy thriller
The Week Recommends Channing Tatum and Naomi Ackie stun in this film on the hedonistic rich directed by Zoë Kravitz
By The Week UK Published