What surprised me, watching the documentary, “wasn’t the massive scale of the killing, or even the coldness of it, but the proficiency”, said Mahmoud Mushtaha in +972 Magazine (Tel Aviv). The 24 Israeli soldiers and intelligence officers interviewed for “NAZA”, a new film, coolly described destroying people’s lives as if they were discussing “a routine errand”; one likened it to a “video game”.
Their testimonies form the basis of the documentary, whose title comes from an Israeli military acronym for “collateral damage”; it is a term used to indicate how many civilians are likely to die in each air strike. The film shows that, guided by AI and automated surveillance, thousands of Palestinian civilians were knowingly killed during the war in Gaza.
‘Factory-scale’ killing
The film received a record 25-minute standing ovation at the recent Venice Film Festival, where it won a jury prize. And in Israel, it has whipped up a storm of outrage, said Michelle Goldberg in The New York Times. Miki Zohar, the culture minister, accused its directors, Rachel Szor and Yuval Abraham, of “treason” and called for them to be stripped of their citizenship, a demand endorsed by PM Benjamin Netanyahu.
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“After seeing it, I can understand why Israel finds it so threatening.” It describes “factory-scale”, AI-enabled targeting. Interviewees claim that “20 Naza” – 20 civilians killed for one Hamas member – is the basic benchmark. But to kill one Hamas fighter, one source claims, 500 civilian deaths were approved. (The Israel Defense Forces denies this.) The film shows how indifference to civilian death shades “into deliberate mass killing”.
The allegations warrant serious scrutiny, said Ariel Oseran on i24News (Tel Aviv). But the very fact that the IDF calculates “Naza” figures shows that it assessed, and tried to minimise, civilian fatalities while fighting the war in Gaza. Besides, some of the film’s claims seem very dubious. According to Hamas’ own figures, the largest single strike during the conflict killed 132 people – far below the 500-death figure claimed in the film.
Reality under attack
We need to examine “NAZA” carefully, said The Jerusalem Post. The interviewees speak anonymously; we don’t know their rank or their motivation for speaking out. Their testimony cannot be a “final judgement on Israeli conduct”. And “if ‘NAZA’’s case is flawed, the flaws should be demonstrated in public”. But attacking the filmmakers does not help. “It weakens Israel’s argument by replacing a factual dispute with a loyalty test.”
In Israel, the debate is being played out “purely on the basis of emotion”, said Eli W. Kowaz in Haaretz (Tel Aviv). No ministers have even watched the film, as it is yet to be released here. Nor have the public; yet there have been angry protests outside one of the filmmakers’ parents’ homes. It shows “how detached Israelis are from the global conversation about the Gaza war”.
While the world outside has seen reams of coverage of the war – and seems to have largely forgotten that it started with Hamas’ massacre of some 1,200 people – Israel’s media has mostly averted its eyes from the suffering in Gaza. Consequently, to many Israelis, the film feels like an attack on their country, and “an attack on their reality”.
