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The Lion, the Witch and the Wardrobe review: ‘breathtaking’ tricks and puppetry ‘perfection’
The Week Recommends A dazzling and ‘joyful interpretation’ of the classic adventure
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Crazy for You review: a ‘divine’ revival that will ‘knock you for six’
The Week Recommends Musical theatre ‘doesn’t get any better’ than this Chichester Festival production
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Jack Absolute Flies Again: a ‘crowd-pleasing comedy’ with an excellent cast
The Week Recommends National Theatre production has the same ‘giddy abandon’ as One Man, Two Guvnors
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The Seagull review: a ‘strangely gripping’ take on Anton Chekhov’s play
The Week Recommends Emilia Clarke makes her West End debut alongside a uniformly excellent cast
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Richard III review: this RSC production shines with ‘magisterial splendour’
The Week Recommends Titular character played by Arthur Hughes – the first actor with a disability to take on the role at Stratford
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The Southbury Child review: this play feels almost ‘heaven-sent’
The Week Recommends The piece is deftly directed by Nicholas Hytner and stars three-time Olivier winner Alex Jennings
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That Is Not Who I Am: a play that divided opinion from the outset
The Week Recommends The Royal Court’s latest production is ‘brilliantly tricksy’
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The Gunpowder Plot at the Tower of London: an ‘exhilarating’ new experience
The Week Recommends This ‘camply thrilling’ adventure sets the ‘gold standard’ for immersive shows
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Legally Blonde on stage: ‘far wittier’ than the film
The Week Recommends Regent’s Park Open Air Theatre is host to this ‘smart show about brains as well as beauty’
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My Fair Lady at the London Coliseum: a ‘daringly sumptuous’ show
The Week Recommends This ‘Rolls-Royce of a revival’ gives the classic musical a modern feel
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Oklahoma! at the Young Vic: a ‘stunning reinvention’ of a beloved classic
The Week Recommends Reinterpreted for a small band, the music has a homespun folksiness that works ‘brilliantly’
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Jerusalem review: Mark Rylance gives ‘the greatest performance of the century’
The Week Recommends Back in 2009, Jez Butterworth’s play took the world by storm. Now it’s back
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Prima Facie review: ‘Awards will follow’
The Week Recommends Jodie Comer's ‘ferocious yet forensic performance’ blows the audience away in Suzie Miller’s play
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The Corn is Green review: Nicola Walker’s performance is ‘unmissable’
The Week Recommends Emlyn Williams’s 1938 play has not been seen in London since 1985
The Week Recommends
