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Avatar: Fire and Ash – third instalment feels like ‘a relic of an earlier era’
Talking Point Latest sequel in James Cameron’s passion project is even ‘more humourless’ than the last
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The Housemaid: an enjoyably ‘pulpy’ concoction
The Week Recommends Formulaic psychological horror with Sydney Sweeney is ‘kind of a scream’
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The ultimate films of 2025 by genre
The Week Recommends From comedies to thrillers, documentaries to animations, 2025 featured some unforgettable film moments
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The most anticipated movies of 2026
The Week Recommends If the trailers are anything to go by, film buffs are in for a treat
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The 8 best comedy movies of 2025
the week recommends Filmmakers find laughs in both familiar set-ups and hopeless places
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Oscar predictions 2026: who is likely to win?
In Depth These are the contenders everyone is talking about ahead of this year’s Academy Awards ceremony
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The 8 best drama movies of 2025
the week recommends Nuclear war, dictatorship and the summer of 2020 highlight the most important and memorable films of 2025
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Critics’ choice: The year’s top 10 movies
Feature ‘One Battle After Another’ and ‘It Was Just an Accident’ stand out
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The 8 best zombie movies of all time
The Week Recommends The undead have been rising and terrorizing audiences since the Cold War
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Goodbye June: Kate Winslet’s directorial debut feels like a ‘John Lewis Christmas TV ad’
Talking Point Helen Mirren stars as the terminally ill English matriarch in this sentimental festive heartwarmer
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Animal Farm: has Andy Serkis made a pig’s ear of Orwell?
Talking Point Animated adaptation of classic dystopian novella is light on political allegory and heavy on lowbrow gags
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The Salt Path Scandal: an ‘excellent’ documentary
The Week Recommends Sky film dives back into the literary controversy and reveals a ‘wealth of new details’
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Film reviews: ‘Marty Supreme’ and ‘Is This Thing On?’
Feature A born grifter chases his table tennis dreams and a dad turns to stand-up to fight off heartbreak
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It Was Just an Accident: a ‘striking’ attack on the Iranian regime
The Week Recommends Jafar Panahi’s furious Palme d’Or-winning revenge thriller was made in secret
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