Every Brilliant Thing wows Edinburgh Fringe
One-man play about child with depressed mother steers clear of mawkishness and delights critics

What you need to know
Every Brilliant Thing is one of two works by playwright Duncan Macmillan at the Edinburgh Fringe, put on by new-writing theatre company Paines Plough in a ‘flatpack' pop-up theatre in the courtyard of a former veterinary college.
Performed as a one-man show by actor-comedian Jonny Donahoe, the play is about an unnamed narrator whose mother suffers from depression. After she attempts suicide when he is six, he makes a list of "brilliant" things in life to try to cheer her up.
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.

Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
The list includes ice cream, rollercoasters, Danger Mouse and the fact that if you jingle your car keys in the wildlife park, otters come out to say hello. As the narrator grows older, he keeps adding to his list.
What the critics like
Not only is this one of the funniest plays you'll ever see about depression, says The Guardian's Lyn Gardner, it's "possibly one of the funniest plays you'll ever see, full stop". It's life-affirming but not cutesy, thanks to its unflinching honesty. "There is something tough being confronted here."
This is a play about depression "filled to the brim with joy" says Daisy Bowie-Sell in Time Out. She is delighted that the audience are "an integral part of the play", called upon to play the other characters in a one-man show, including a vet and the narrator's first love, father and school councillor.
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
Like the other reviewers Laura Barnett, writing for the Daily Telegraph, awards the play four stars. For her, the audience interaction would be "hokum" were it not for a "solid gold heart" to the play. And the "funny, clever and surprisingly uplifting" show avoids mawkishness by refusing to water down the reality of depression.
The Independent's Holly Williams agrees that if the "production sounds overly whimsical, it's not". It finds a "perfect balance between conveying the struggles of life, and celebrating all that is sweet in it". It is, she concludes: "Warmly recommended."
What they don't like
Praise is universal - though Barnett does find time to criticise the metal backs of the seats in Paines Plough's collapsible theatre: they're rather cold and she advises keeping your coat on.
-
What to know before turning to AI for financial advice
the explainer It can help you crunch the numbers — but it might also pocket your data
-
Book reviews: 'The Headache: The Science of a Most Confounding Affliction—and a Search for Relief' and 'Tonight in Jungleland: The Making of Born to Run'
Feature The search for a headache cure and revisiting Springsteen's 'Born to Run' album on its 50th anniversary
-
Keith McNally' 6 favorite books that have ambitious characters
Feature The London-born restaurateur recommends works by Leo Tolstoy, John le Carré, and more
-
Alan Davies: Think Ahead – 'gifted' comedian's first stand-up show in a decade
The Week Recommends The QI panellist 'rawly' discusses childhood abuse in this 'compelling' show
-
Friendship: 'bromance' comedy starring Paul Rudd and Tim Robinson
The Week Recommends 'Lampooning and embracing' middle-aged male loneliness, this film is 'enjoyable and funny'
-
The best shows to see at Edinburgh Fringe 2025
The Week Recommends The world's biggest arts festival is back with an incredible line-up
-
The Count of Monte Cristo review: 'indecently spectacular' adaptation
The Week Recommends Dumas's classic 19th-century novel is once again given new life in this 'fast-moving' film
-
Death of England: Closing Time review – 'bold, brash reflection on racism'
The Week Recommends The final part of this trilogy deftly explores rising political tensions across the country
-
Sing Sing review: prison drama bursts with 'charm, energy and optimism'
The Week Recommends Colman Domingo plays a real-life prisoner in a performance likely to be an Oscars shoo-in
-
Kaos review: comic retelling of Greek mythology starring Jeff Goldblum
The Week Recommends The new series captures audiences as it 'never takes itself too seriously'
-
Blink Twice review: a 'stylish and savage' black comedy thriller
The Week Recommends Channing Tatum and Naomi Ackie stun in this film on the hedonistic rich directed by Zoë Kravitz