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‘The Lost Boys’ and ‘The Rocky Horror Show’Feature Palace Theatre and Studio 54, New York City
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Avenue Q: a ‘fundamentally big-hearted show’The Week Recommends ‘Big-hearted’ revival returns to the West End with more ‘saucy comedy’
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Theatre reviews: ‘Death of a Salesman’ and ‘Cats: The Jellicle Ball’Feature Two stunning productions open on Broadway
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Kiss of the Spider Woman: ‘a triumph all round’The Week Recommends Paul Foster’s revival of John Kander and Fred Ebb’s hit musical is ‘exceptional’
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Romeo & Juliet: an ‘outlandishly joyful’ take on the Shakespearean classicThe Week Recommends Sadie Sink and Noah Jupe dazzle in Robert Icke’s ‘richly emotional, brilliantly intelligent’ West End production
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John Proctor Is the Villain: ‘punchy’ riposte to Arthur Miller classicThe Week Recommends Kimberly Belflower’s hit play is a ‘terrific piece of provocative entertainment’
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Summerfolk: an ‘incredible’ display of acting talentThe Week Recommends ‘Incredible’ acting talent in a production that hits the ‘perfect fast-revolving pace’
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The Holy Rosenbergs: a ‘knotty’ and ‘resonant’ political dramaThe Week Recommends Starring Tracy-Ann Oberman, the play explores the presentation of Israel and Gaza, in a ‘collision of the political and personal’
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8 touring musicals to catch while you can at a theater near youthe week recommends The show(s) must go on at these touring musicals
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Ballet Black at 25: a ‘crackingly good’ celebrationThe Week Recommends For its 25th anniversary, the company shows off both its ‘technical ability’ and the dancers’ ‘impressive dramatic powers’
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The Boy Who Harnessed the Wind: a ‘life-affirming’ dramaThe Week Recommends ‘Rousing songs’ of this musical celebrate William Kamkwamba’s ‘remarkable feat, the power of dreams and the value of knowledge’
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Dracula: a ‘tour de force’ one-woman showThe Week Recommends British film star Cynthia Erivo plays 23 characters in a ‘radical’ reinterpretation of the vampire classic
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Arcadia: Tom Stoppard’s ‘masterpiece’ makes a ‘triumphant’ returnThe Week Recommends Carrie Cracknell’s revival at the Old Vic ‘grips like a thriller’
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American Psycho: a ‘hypnotic’ adaptation of the Bret Easton Ellis classicThe Week Recommends Rupert Goold’s musical has ‘demonic razzle dazzle’ in spades
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